Those with experience of
cassette players will recall that moment when the tape got warped or stuck. The
flow of the music was suddenly replaced by something comically tuneless or
wobbly; or else by unwanted silence.
That was the experience some
student friends and I once had on a guided tour of a limestone cave. Fresh-faced
earth science students, we were keen to learn of the mysterious processes that
shape our earth. The guide was at the other end of the freshness spectrum.
And on your left, you will see seven
stalacmites … remembering that stalacmites might grow tall, as opposed to
stalactites, which … hah hah … stick tight to the roof. And these formations
are known as the Seven Dwarves .. hah hah … they’re certainly not tall … (moves forward five paces.) And right behind them (shines torch in direction of a larger
flowstone formation), is of course Snow
White .. hah hah …
And so the commentary ran, literally
monotonous, and uninterrupted save for the guide’s own interjections of
simulated mirth. He had learned the tour so well that he may as well have been
a tape recorder. That is until we asked our first question. Then his voice suddenly
wavered, wobbled out something wordless, akin to urr or umm, then stopped.
He looked at his watch, despite the near darkness, and shuffled his feet. Then,
as though it might get his stalled tape recorder going again, he walked on a
few paces, and shone his torch on a new formation.
Umm … and here you will see a large
number of stalactites, sticking tight … hah hah … to the ceiling. And if you
count them you will see that there are twelve of them, so this formation we
call the twelve apostles … hah hah … and they stick tight to the ceiling, of
course, because they have ascended into heaven .. hah hah …
Formations reflected in Lake Cave, WA |
We ventured one more
question, with similar results, before surrendering to the flow of pre-recorded
similes: The Ten Commandments coming
down from on high; Ali Baba and the Forty
Thieves sneaking up behind us; The
Three Musketeers, with their rapier swords held erect (and here a genuine
snigger).
Our guide may have been a
crass example, but it is is true that most of us seek out the familiar when
confronted with the strange. When it comes to caves, according to Kathleen
Jamie, “it’s reassuring, in this gallery of uncanny forms, to map them onto
things we know in the world outside. … We are deep in a hall of similes.” (Sightlines, p
166)
In the caves of Western
Australia’s Margaret River region, we found some restrained echoes of this
urge. Certainly the similes were not as crass as those of my student experience.
Yet it still felt as though the beauty of some limestone formations had to be
adorned with names, or with artificial lights, in order to make the
“accessible”. In one cave the formations were given a coloured light show, changing them from cream to red to green to blue to purple. It was akin to
seeing the Mona Lisa turned into a red-head, then given a blonde look, and finally a blue rinse.
Gladly our experience in
most caves was more natural and positive. We were given the space and time –
and sufficient information – to be mind-boggled by the strange-but-true processes
that lead to the incredible beauty beneath the region's forests and vines. To
see, for example, karri tree roots deep inside a cave, and in the process of
allowing water to penetrate, and create formations, was more wondrous than any
light show.
Sometimes the blessings of
freshly baked bread are sufficient in themselves. Sometimes we don’t need spreads.
Just plain bread, perhaps with a glass of wine – that other blessing of
Margaret River limestone – can be the taste of heaven on earth.